amandabreeze.ca About the series
Canadian data journalism · Ontario & beyond

Make It Make Toonies

Public records, asked plain questions, and built into instruments you can run yourself.

Canada publishes an enormous amount about itself and then leaves it sitting there. The registers, the catalogues, the filings — all downloadable, almost none of it read.

So this is the series where I download it and read it. Each piece takes one public Canadian dataset, asks it a question a person would actually ask, and ends in something you can open and use rather than a chart you have to take my word for. The method is shown, the source is named, and the caveats are printed where you can see them.

See the register ↓

The register

6 published · ongoing

What Ontario named its children

A century of birth registrations, searchable by name. Every VIMY in 1917, every LINDA in 1947, and the question of what Ontario's most common boys' name actually is once you count the spellings.

Who wore the crown

Every year since 1917, one name has topped the register for each sex. The whole line of succession, reign by reign — and how much smaller the crown has become.

What Ontario wanted

Every name carries a wish — strength, faith, beauty, and the rest. Nine meanings, each traced across a century of the register to see what parents were actually asking for.

The field

Every name that ever reached one in a thousand Ontario births, drawn as a single faint line across the century. Fourteen hundred lives, one page — move across it to surface any strand.

One continent, two registers

Ontario and the United States share a language, a media, and a century — do they name their children the same way? Two measures side by side: how fast the fashion turns over, and how tightly the top names hold.

Where the money goes

Start with a tired argument — spend the foreign-aid money on hospitals instead — and use it to learn something bigger: how to actually read the federal budget. Which lines crack open into their real parts, which stay sealed under 'other,' and why that seam is the whole story.

About the series

Make It Make Toonies is written, built, and illustrated by me, Amanda Breeze — a creative technologist in Ontario, Canada. Every instrument here runs on public data, released under an open licence, and cites the release it came from.

The rule for choosing a subject: the data has to be public, the question has to be one an ordinary person would ask out loud, and nobody can have done it for Canada yet. That last part is easier to satisfy than it should be.

The chrome can be playful. The axes never joke.

If you'd like a piece like these for your publication or newsroom, or want to talk about a dataset, I'd love to hear from you.

hello@amandabreeze.ca